Piggy Bang

2021年10月28日
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*The big bang theory. The big bang theory. The big lebowski. The big lebowski. The brady bunch. The brady bunch.Themes are the fundamental and often universal ideasexplored in a literary work.Civilization vs. Savagery
The central concern of Lord of the Flies isthe conflict between two competing impulses that exist within allhuman beings: the instinct to live by rules, act peacefully, followmoral commands, and value the good of the group against the instinctto gratify one’s immediate desires, act violently to obtain supremacyover others, and enforce one’s will. This conflict might be expressedin a number of ways: civilization vs. savagery, order vs. chaos,reason vs. impulse, law vs. anarchy, or the broader heading of goodvs. evil. Throughout the novel, Golding associates the instinctof civilization with good and the instinct of savagery with evil.
The conflict between the two instincts is the drivingforce of the novel, explored through the dissolution of the youngEnglish boys’ civilized, moral, disciplined behavior as they accustomthemselves to a wild, brutal, barbaric life in the jungle. Lordof the Flies is an allegorical novel, which means thatGolding conveys many of his main ideas and themes through symboliccharacters and objects. He represents the conflict between civilizationand savagery in the conflict between the novel’s two main characters:Ralph, the protagonist, who represents order and leadership; andJack, the antagonist, who represents savagery and the desire forpower.
As the novel progresses, Golding shows how different peoplefeel the influences of the instincts of civilization and savageryto different degrees. Piggy, for instance, has no savage feelings,while Roger seems barely capable of comprehending the rules of civilization. Generally,however, Golding implies that the instinct of savagery is far moreprimal and fundamental to the human psyche than the instinct ofcivilization. Golding sees moral behavior, in many cases, as somethingthat civilization forces upon the individual rather than a naturalexpression of human individuality. When left to their own devices,Golding implies, people naturally revert to cruelty, savagery, andbarbarism. This idea of innate human evil is central to Lordof the Flies, and finds expression in several importantsymbols, most notably the beast and the sow’s head on the stake.Among all the characters, only Simon seems to possess anything likea natural, innate goodness. Loss of Innocence
As the boys on the island progress from well-behaved,orderly children longing for rescue to cruel, bloodthirsty hunterswho have no desire to return to civilization, they naturally losethe sense of innocence that they possessed at the beginning of thenovel. The painted savages in Chapter 12 whohave hunted, tortured, and killed animals and human beings are afar cry from the guileless children swimming in the lagoon in Chapter 3.But Golding does not portray this loss of innocence as somethingthat is done to the children; rather, it results naturally fromtheir increasing openness to the innate evil and savagery that hasalways existed within them. Golding implies that civilization canmitigate but never wipe out the innate evil that exists within allhuman beings. The forest glade in which Simon sits in Chapter 3 symbolizesthis loss of innocence. At first, it is a place of natural beautyand peace, but when Simon returns later in the novel, he discoversthe bloody sow’s head impaled upon a stake in the middle of theclearing. The bloody offering to the beast has disrupted the paradisethat existed before—a powerful symbol of innate human evil disruptingchildhood innocence.Struggle to build civilization
The struggle to build civilization forms the main conflict of Lord of the Flies. Ralph and Piggy believe that structure, rules, and maintaining a signal fire are the greatest priorities, while Jack believes hunting, violence, and fun should be prioritized over safety, protection, and planning for the future. While initially the boys, including Jack, agree to abide by Ralph’s rules and democratic decision-making, the slow and thoughtful process of building an orderly society proves too difficult for many of the boys. They don’t want to help build the shelters, maintain the signal fire, or take care of the littluns. The immediate fun and visceral rewards of hunting, chanting, and dancing around the fire are more attractive than the work of building a sustainable society. Near the end of the novel, even Ralph is tempted by Jack’s authoritarian regime, regularly forgetting why the fire and rescue is so important.Man’s inherent evil
The fact that the main characters in Lord of the Flies are young boys suggests the potential for evil is inherent even in small children. Jack, for example, is initially keen for rules and civility, but becomes obsessed with hunting, frightened and empowered by the promise of violence. Jack’s desire to control and subjugate proves more powerful than his desire for empathy, intellect, and civilization, and Jack becomes a brutal and leader. Even Ralph and Piggy, who both strive to maintain their sense of humanity, ultimately join in on the mass murder of Simon, momentarily surrendering to the thrill of violence and mass hysteria. While Piggy tries to ignore their participation, Ralph is devastated when he realizes that he is no better than Jack or Roger, and that he has a darkness inside as well.We love the logo for Piggy Bang Casino. Not only do they have a cool name, they use a casino chip with piggy ears as the logo that sits next to the casino name. 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